Ciel Grommen (1989) extended her training in architecture at the University of Leuven (2012) with a master in contemporary art at the HEAD in Geneva (2015). What follows is a trans-disciplinary practice, based on intense fieldwork in well-defined contexts, academic research and collaborations with a close network of people and  institutions. With models, maps, furniture, installations, events and stories, this shared art practice tries to invent new narratives of co-habitation.

Works have been exhibited in C-mine Genk; Artsonje Art Centre, Seoul; Live In Your Head Gallery, Geneva; Z33, centre for contemporary art, Hasselt; Vai, Antwerp; Red Cross Museum, Geneva...
Works even more often appear in the "real" world, such as Petit Chateau, asylum centre in Brussels, in the post box of a neighbour, on the Aldi parking lot of Borgloon, at the foot of the terril of  Winterslag...

At this moment I am starting a PHD in the arts at LUCA school of arts Ghent, in the research cluster Art, Pedagogy and Society.
In the past I have been working on a freelance basis for KULeuven architecture department, Z33, Bozar and A+ architecture in Belgium, Bitbook publisher, Gijs Van Vaerenbergh, Ief Spincemaille, Dirk Claessen & Hedwig Snoeckx ...


Max and I, working on the House for Seasonal Neighbours


What does it mean to inhabit a space nowadays?
­— I mean a physical space, like for instance a camp, a neighbourhood, a farm, a region, a care centre… We are living in an era characterised by acceleration, digitalisation, climate change and a diversifying society. All this puts challenges to traditional ways of living and belonging. I am interested in new notions of co-habitation .

Research by habitation— By inhabiting different spaces myself and inviting others to do the same, I try to deal with this question. By habitation I mean: spending a lot of time somewhere, inventing a role for oneself, setting up an activity, entering into relation with other inhabitants...

Collaboration— As much as I like the interaction with local inhabitants and experts, I cherish the value of collaborating with other artists and designers. The last years collaboration has been particularly fruitful with Maximiliaan Royakkers, as well as with Maxime Brygo, Dieter Leyssen, Clementine VaultierClaire Chassot, Jonathan De Maeyer, Anastasia Eggers, Ioana Lupascu, Mona Thijs, Dallas, Ewoud Vermote, Ines Marita, Yacinth Pos, Karolina Michalik, Ode Windels, Pia Jacques

Critical spaces — The kind of spaces I prefer to work on are spaces where notions of domesticity and ownership are particularly challenged. The early years I have been mainly working on ‘spaces of exception’ as the political philosopher Giorgio Agamben described (Husn refugee camps in Jordan, the Korean border zone, Geneva’s freeports and warehouses…). More recently this focus moved to industrial and post-industrial landscapes (agricultural towns in Western Europe, Stellantis Factory Valenciennes and C-mine, the former coalmine site of Winterslag)

A temporary interruption or in-between space — This artistic practice then aims at the design of a temporary interruption in this context, an experimental space an time where contrasting visions can meet. The design consists at the same time of the realisation of a space and its activation. Something in between architecture, performance and social practice. The ambition is to make an original and symbolic gesture that goes beyond a particular space and that relates to our cultural history at large.

Expo and publications — Sketches, traces or reflections from these in situ interventions are shown in exhibitions or publications. The works take the form of maps, images, (activated) installations, lectures ... They aren’t art objects with a sacral status, but rather tools or frameworks for storytelling and interrogations.

Research networks

Seasonal Neighbours , on cohabitation and seasonality on Europe’s countryside︎︎︎
Areaal, on art projects in rural space, led by Plan B︎︎︎
Emptor, on questions of property in the arts, led by Jubilee︎︎︎
Veldwerkers, on the future for the terril of Winterslag? led by C-mine Cultural Centre
C-mine Masterplan Implementation, on the future for the C-mine landschape? led by 51N4E
EARN, On Value (in the antropocene), led by KULeuven Faculty of Architecture and LUCA, Faculty of the Arts︎︎︎

Meeting on the in-between,  proposal for a fence of Parc des Bastions in Geneva
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